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Nudes/Human Form Newsletter Vol. 21

Nudes/Human Form Newsletter Nudes/Human Form Newsletter Vol. 21 Volume 21 of photo-eye's Nudes/Human Form Newsletter featuring titles from Sanne Sannes, Saul Leiter, June Yong Lee and Tiane Doan na Champassak.

Copyright / Archive
Photographs by Sanne Sannes

When Sanne Sannes (1937-1967) died suddenly and far too young he was, in the Netherlands, a leading photographer on the verge of an international breakthrough.

Sanne Sannes was a true innovator. He worked in both film and photography and edited and processed his images in a search for a new visual language. Today his work is part of several museum collections as his fame, since his death, has increased with each passing year.

photo-eye is taking pre-orders for copies of Copyright / Archive. If our supplier runs out, orders will be fulfilled in the order in which they are received. The cutoff time for ordering is Tuesday, April 26th at 12:00 PM Mountain Time.

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Painted Nudes
Photographs by Saul Leiter

This long overdue book sheds light on the vitality and originality of Saul Leiter’s art and his mastery of color.

Painted Nudes is the first and only book dedicated to this rich and unique part of Leiter’s oeuvre. It features over eighty color reproductions of Leiter’s painted photographs — intimate, small-scale pieces that merge Leiter’s two foremost artistic passions and showcase his remarkable sense of color and composition.

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BACK-IN-STOCK — Last Copies

Photographs by June Yong Lee

June Yong Lee creates photographic images intimately and arrestingly corporeal. Hair (present or absent); stretch marks; scars, sometimes quiet or recognizably medical, at other times scrawled across the chest; piercings; tattoos, textual or symbolic, discreet or sprawling like the A of anarchy on a young female body.

These are traces of histories to which we aren’t privy, at which we can only guess, inserting our own experiences and queries to interpret the markings.

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Photographs by Tiane Doan na Champassak

In Sunless by Tiane Doan na Champassak, beauty is pursued across the disintegrating boundaries between male and female.

The images in Sunless, taken in Thailand between 2012 and 2013, form the second part of a larger body of work-in-progress, born out of a persistent urge to photographically confront questions regarding gender and sexuality.

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