Sasha by Claudine Doury |
Sasha looks into the transition from child to adult, captured by the subject's mother. The often magically-tinged images are evocative of traversing the gap between these two worlds, and the book is a thoughtful meditation on the age, featuring an introduction from photo-eye's own Melanie McWhorter.
The State of Ata by Mike Mandel and Chantal Zakari |
"The State of Ata is a little like a combo of [Lee] Friedlander's appreciation of the American monument and [Robert] Frank's curiosity about the icons that might symbolize a time in this country's zeitgeist. In this instance, when Chantal explained to me the ubiquitous presence of the public imagery of Atatürk, the dead leader of the Turkish revolution subsequent to the Ottoman collapse after World War I, and how his imagery has become embroiled in the contest between secularism and political Islam in Turkey. It seemed like a natural opportunity for Chantal and me, Turk and American, to initiate a project together from the perspective of outsider/insider." -- from photo-eye's interview with Mike Mandel and Chantal Zakari
purchase/view images from The State of Ata -- limited quantities available
One Block by Dave Anderson |
"One Block is Dave Anderson's homage to a block in New Orleans located in the Lower Ninth Ward, an area where the floodwaters of Katrina dealt an especially hard blow. In documenting the rebuilding that went on there between 2006 and 2010, Anderson includes numerous portraits of the residents of this block, some at work -- painting, leveling, measuring, planting, sanding, and so forth -- others caught in the still moments between. Some of the portraits are more formal, others less so. Although the captions speak to the various concerns of these people, the photographic narrative centers around the evolution of homes; we see the before and after pictures, from sheets of plastic to fresh coats of paint, from dumpsters filled with rubble to new windows, walls, and roofs, all observed over the years Anderson returned to document the process of recovery." -- from the review by Ellen Rennard
purchase/view images from One Block -- limited quantities available
Iraq | Perspectives by Benjamin Lowy |
Iraq | Perspectives has been widely discussed since its publication in 2011 (did you see Ben Lowy on The Daily Show?), and rightly so. We're happy to have a few signed copies left to share -- but the numbers are limited.
"The perspectives are straight forward: literal views from the eyes of the soldiers — through the windows of Humvees and the green aura of night vision goggles. The technique is as clever as it is simple, but renders results that far outstrip what could potentially feel gimmicky in lesser hands. The twice framed images in 'Windows' show a street view reality of life for Iraqis, complete with blast walls, trash, rubble and decay. Through the small windows we catch glimpses of life in a country devastated by war, yet it is a restrictive view. It would be easy to gaze through these windows as if you were watching TV, removing yourself from the realities of these environemnts, but the pane of glass and lens between Lowy and his subject doesn’t twice remove the viewer of this book — the acknowledgement of the extra filter somehow draws us closer." -- from the blog post by Sarah Bradley
"The perspectives are straight forward: literal views from the eyes of the soldiers — through the windows of Humvees and the green aura of night vision goggles. The technique is as clever as it is simple, but renders results that far outstrip what could potentially feel gimmicky in lesser hands. The twice framed images in 'Windows' show a street view reality of life for Iraqis, complete with blast walls, trash, rubble and decay. Through the small windows we catch glimpses of life in a country devastated by war, yet it is a restrictive view. It would be easy to gaze through these windows as if you were watching TV, removing yourself from the realities of these environemnts, but the pane of glass and lens between Lowy and his subject doesn’t twice remove the viewer of this book — the acknowledgement of the extra filter somehow draws us closer." -- from the blog post by Sarah Bradley