Jaunt
By Lotte Reimann
Art Paper Editions
Selected as one of the Best Books of 2015 by:
10x10 Photobooks
John Phelan
"Jaunt by Lotte Riemann is a fun, slightly sinister, super slick journey; the itinerary brilliantly mapped by Jurgen Maelfeyt, who designed and edited it. Rephotographing found photos of a swinging couple on her monitor, Reimann has repurposed them to tell a new story reflecting her own gaze."—from the Book of the Week Pick by John Phelan
By Mark Cohen
University of Texas Press
Selected as one of the Best Books of 2015 by Kevin Messina
Created by Ryan Arthurs
Houseboat Press
Selected as one of the Best Books of 2015 by Kevin Messina
By Ron Jude
Mack
Selected as one of the Best Books of 2015 by:
Aaron Schuman
David Campany
Gerry Badger
Hans Gremmen
Sarah Bradley
"In Lago — Jude’s return to the California desert of his early childhood — memory serves as a leaping-off point to engage equally with what is present — perhaps, doubling as a re-birthing and making relevant connections with an indelible past. Jude accomplishes this, in part, with an avoidance of technique or style as means of maneuvering around what one cannot do. His color renders as generous, consistent and 'true.' There are few devices employed in the layout and design. A few blank spreads offer opportunities to cleanse or reboot and are perfectly placed and confident in their silence."—from the Book of the Week Pick by Raymond Meeks
By Gus Powell
J&L Books
Selected as one of the Best Books of 2015 by:
Jeffrey Ladd
Aaron Schuman
"Taking inspiration from a 1942 publication of the same name by the celebrated cartoonist William Steig (whose work, like Powell’s, was regularly featured in The New Yorker), Powell pairs and then hides each of his quizzical photographs behind a gatefold that contains a carefully matched, one-line text: 'Let’s not ruin it by talking,' 'Mistakes were made,' 'We’ve met before,' 'Remember?' It’s rare that, when text is paired with image, it not only provides a particular window of insight for the viewer, but also reflects multiple meanings to prismatic effect, prying open already open-ended photographs even further."—from the Book of the Week Pick by Aaron Schuman
By Mariela Sancari
La Fabrica
Selected as one of the Best Books of 2015 by:
10x10 Photobooks
Alejandro Cartagena
Colin Pantall
Daniel Boetker-Smith
Erik Kessels
Sarah Bradley
Thomas Sauvin
By Geert Goiris
Roma Publications
Selected as one of the Best Books of 2015 by:
Hans Gremmen
Sarah Bradley
"This book serves as a visual metaphor for a constant hum of low level anxiety with a shriek of nervous laughter, a muffled moan, a gasp, a sigh. There are moments of such tension in certain photographs, strategically and rhythmically placed throughout the book; I felt my heart leap periodically as if timed to a metronome. The double gauge shotgun of a man dousing himself in the smoke of three cigarettes and a swathe of scorched earth, a crumpled arthropod awash in magenta and an icy green hued snowdrift pushed hard up against a darkened road. Geert's book is an aria of estrangement, linked through a wintery nightscape and startlingly confronting portraits. I approach the Prophet in wonder and discomfort in equal measure."—from the Book of the Week Pick by Ying Ang
By Daisuke Yokota
Session Press
Selected as one of the Best Books of 2015 by John Phelan
"In his new book Taratine, Yokota both reveals and conceals, offering glimpses of his personal life, in both text and image; profound, compound visions which are always subject to the dizzying aesthetic filters inherent to his practice. Yokota works consistently and with great energy and application to produce images that not only tell us about the strange gaps between life and art, but about the continued vitality of the 'mysteries of the dark-room' in the digital age."—from the Book of the Week Pick by Simon Baker
By Lucas Blalock
SPBH Editions
Selected as one of the Best Books of 2015 by Erik Kessels
By Mona Kuhn
Steidl, 2014. 112 pp., 74 color illustrations, 11¾x12¼".
Selected as one of the Best Books of 2015 by Christopher J. Johnson
"I usually work very intuitively. A way for me to start a series is to first imagine the colors as a way of limiting the palate. The colors that I first imagined for the series, colors that matured over time for me, were the sand tonalities — sand which at times resembles skin, the golden desert colorations and golden light and then the darker shades of brown and black — that was the palate that inspired me. I’ve been living out in Los Angels for quite some time so I was also very drawn to understanding the desert, as it was my surroundings."—from the interview with Mona Kuhn on photo-eye Blog
By TR Ericsson
The Cleveland Museum of Art
Selected as one of the Best Books of 2015 by:
Christopher J. Johnson
Jeffrey Ladd
Melanie McWhorter