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Showing posts with label Nissa Kubly. Show all posts
Showing posts with label Nissa Kubly. Show all posts

photo-eye Gallery LIGHT + METAL:
Nissa Kubly's Unique Wearable Cameras,
Jewelry, and Photographic Sculpture
photo-eye Gallery is proud to work with Kubly for the first time in LIGHT + METAL and have ten of her refined and innovative designs currently on view in the exhibition.

Nissa Kubly's work installed at photo-eye Gallery for LIGHT + METAL
Skilled in metalworking, artist Nissa Kubly crafts an array of unique objects including photographic sculpture, enamel image-based jewelry, and delightful wearable pinhole cameras. With an interest in optics and image creation, Kubly's practice deftly combines form with function to build three-dimensional functioning artworks that take photography off the wall and place it in the hands of the collector. photo-eye Gallery is proud to work with Kubly for the first time in LIGHT + METAL and have ten of her refined and innovative designs currently on view in the exhibition.

We spoke recently with Kubly, and the artist shared a little about her background and how her obsession creating unique physical artworks began. Nissa Kubly's work can be viewed in the gallery as a part of LIGHT + METAL though this Saturday, September 22nd, 2018.

Nissa Kubly, Flagstaff Courthouse, Brass, positive film pinhole image, glass, 3.5x4" ImageUnique, $800

photo-eye:     What inspired you to create the pieces included in LIGHT + METAL?

Nissa Kubly:     These pieces in the gallery show started as work in graduate school when the history of photography professor assigned us a challenge to make our own camera and test it to see if it worked.  I was in the fine art department studying metals and didn't quite understand the camera obscura so I decided to try it out, making a small scale camera in copper and brass. I cut a little piece of photo paper, inserted it into the camera and lined it up to take an image of a bike on campus, quickly went into the darkroom to develop and was amazed when it actually worked! I loved that I could create a very basic machine and get a result that would be permanent. A lesson in form follows function!

Nissa Kubly, Round Pinhole Ring II, 2008, Sterling Silver, Brass, 2x2" Object, Unique, $2500

pe:     What type of work did you make prior to the work you are making today, and if the work was different, what inspired the change?

NK:     I loved my beginning/undergraduate work in formal metalsmithing at the University of Wisconsin-Madison. Here we were making hollowware, functional tableware like chalices, hand raised bowls, serving utensils and custom rings in sterling silver, pewter and copper. I guess I've always liked functional work that is beautiful as an object and well constructed.
Nissa Kubly, St Mary's Basilica, Phoenix 
(Pinhole Image) on Camera #9, 
Pinhole image on Positive Film, 
Brass, Magnifying Lens, Sterling Silver,
 6x3" Object, Unique, $2700

pe:    Can you tell us about creating one of the works included in  LIGHT + METAL?

NK:     The wearable cameras started in graduate school also, when I made a belt buckle camera. It was a small rectangular brass box I could load with film and take images (incognito) of party-goers! So, I wanted to continue this idea and next, I made a Pinhole camera bracelet in sterling silver, which I loved, but it sold to a collector. (Now in the Racine Art Museum collection). I liked the idea of functional, spy-like objects that could be worn and it was important the pieces be one of a kind. So I continued with the fabrication of the pinhole rings; they are hollow constructed from silver sheet, formed and soldered. Some patterning comes from etched designs on the sides. I added brass details which are turned on my mini-lathe in the studio and soldered onto the piece. I enjoy the process so much—designing, creating and experimenting. The constructed camera gives me all these opportunities.

Nissa Kubly
Nissa Kubly received her B.S. in Fine Art from the University of Wisconsin-Madison. She continued her studies at the University of Wisconsin in Art Education, where she was awarded a teaching degree. Ms. Kubly later earned a Masters of Fine Art in Metals from Arizona State University, Tempe. Her thesis, "Macchine di Luce," was an exploration of  the optics of the pinhole camera in functional metal fabrication. Kubly was awarded a residency at Anderson Ranch Art Center, Aspen, CO to work in sculpture and photography studios, constructing cameras and experimenting in film. She has been awarded grants from the Phoenix Art Museum and 3M Corporation, and her work has been included in publications such as Design & Architecture and public and private collections around the world. In 2014, Ms. Kubly was included in the largest pinhole collection in the world with numerous cameras and images added to the New Mexico History Museum's permanent collection in Santa Fe. The summer of 2017 took Ms. Kubly on a residency with Biomimicry at the Tempe Center for the Arts, where she researched butterfly optics and vision, consulting with Dr. Ron Rutowski, a professor in life sciences at ASU.
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LIGHT + METAL has been extended at photo-eye Gallery 
through Saturday, September 22nd, 2018. 

For additional information on Nissa Kubly's work, 
and to purchase prints, please contact Gallery Staff at 
505-988-5152 x202 or gallery@photoeye.com.





photo-eye Gallery Opening July 27, 2018:
Light + Metal – Unique Photographs and Objects
Please join photo-eye Gallery for Light + Metal, a group exhibition featuring unique photographic prints and objects by 13 artists working with an array of alternative and non-standard processes. An Opening for Light + Metal will be held on Friday, July 27th from 5 to 7 pm during the Last Friday Art Walk in the Santa Fe Railyard Arts District.


photo-eye Gallery is thrilled to announce Light + Metal, a major group exhibition featuring 60  unique photographic works by 14 artists printed in an array of alternative and non-standard processes.

Participating artists include David Emitt Adams, Kate Breakey, Vanessa Marsh, Nissa Kubly, Michael Jackson, Anne Arden McDonald, Heather Oelklaus, Kevin O’Connell, David Ondrik, Meghann Riepenhoff, Claire A. Warden, Julie Weber, Vanessa Woods and Lori Vrba.


An opening and artist reception for Light + Metal will be held this Friday, July 27th from 5 to 7 pm during the Last Friday Art Walk in the Santa Fe Railyard Arts District. We are very excited that Nissa Kubly, Anne Arden McDonald, Heather Oelklaus, and David Ondirk will be joining us at the opening.

Anne Arden McDonald, Virus, 2017, Camraless Gelatin-Silver Print, 24x20" Image, Edition of 5, $2100

Now is a very exciting time for photography. The 14 artists in Light + Metal are reacting to the proliferation of digital photographic technologies by experimenting with traditional, metal-based processes and materials, including silver-gelatin paper, cyanotype, and wet collodion, to create unique photographic objects—often without using a camera.

Works in Light + Metal employ 19th, 20th, and 21st-century processes to expand and challenge the notion of a photograph as a convincing representational image. In some works, such as those by Julie Weber and Michael Jackson use light itself as a subject, while others, such as Meghann Riepenhoff, Anne Arden McDonald, and David Ondrik, push the boundaries of physical photographic materials to make statements regarding technology, culture, and the environment. We are truly proud of Light + Metal's scope and scale.

David Emitt Adams, Eagletail, 2014, Wet plate collodion tintype made on object found in the Sonoran Desert,
 6.5x11" Image, Price Upon Request

Kate Breakey, Chrysanthemum, Hand-Colored/Encaustic Archival Pigment Print, 26x28" Image, Unique, $2000
Michael Jackson, M, Luminogram on Silver-Gelatin Paper, 20x16" Image, Unique, $4,000
Julie Weber, Two Permutations of Light (Ilford Multigrade FB), 2018 Photogram diptych on gelatin silver paper 
(print 1 fixed; print 2 unfixed), 14x11" Image, Unique  $1500 Framed

Heather Oelklaus, Meditation, 2017, Chemigram, 14x11" Image, Unique, $750
David Ondrik, Erosion 1, 2018, Photogram, 28x30" Image, Unique, $2000
Meghann Riepenhoff, For Anna, Vol. II. Plate 31, 2017, Dynamic Cyanotype, algae and shoreline debris, 
 12x9" Image, Unique, $3500
Courtesy of EUQINOM Gallery
Lori Vrba, Portal, Encaustic Photograph on Vintage Cupcake Tin, 28x16" Image, Unique, $1600
Vanessa Marsh, Untitled #45, Photogram on Silver-Gelatin Paper 16x20" Image, Unique, $1500
Vanessa Woods, Waiting for Rainbows, 2017, Photocollage, 11x14" Image, Unique, $1500
Kevin O'Connell, Canyon Series #8662, Platinum/Palladium Print, 14x11" Image, Edition of 3, $1400
Nissa Kubly, Enamel Necklace I, Enamel on copper with digital image transfer, Unique, $280

All prices listed were correct at the time this post was published.

Light + Metal is on view at photo-eye Gallery through September 15, 2018.

For more information about an artist or artwork, and to purchase prints, please contact Gallery Staff

505-988-5152 x 202  •  gallery@photoeye.com.

» View Light + Metal

» Attend the Opening Reception

» Directions to the Gallery