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photo-eye Newsletters Japanese Photobooks Newsletter Vol. 6 Volume 6 of photo-eye's Japanese Photobooks Newsletter featuring titles from Daido Moriyama, Shinya Arimoto, Hajime Sawatari, & Tokyo Rumando.
PRE-ORDERS


Scandalous
Photographs by Daido Moriyama

Limited Edition available to order!

Edition of 350 signed and numbered copies.

The book contains Moriyama's own selection of 'visually scandalous' images including unreleased works, taken mainly from the Accident series made in the late 1960s, and entirely silkscreen printed for this edition.

photo-eye is taking pre-orders for Limited Edition copies of Scandalous. If our supplier runs out, orders will be fulfilled in the order in which they are received. The cutoff time for ordering in our shipment is Tuesday, June 28th at 12:00 PM MDT. 

Pre-order Limited Edition copies of Scandalous or read more


Interview Nick Brandt on Inherit the Dust On Friday June 10th photo-eye Gallery was thrilled to open our newest exhibition Inherit the Dust by Nick Brandt. Gallery Associate Lucas Shaffer spoke with Brandt to find out more about the artist's activism, his desired outcomes for the project, and what it took to realize his vision.

Road to Factory with Zebra, 2014 – © Nick Brandt



On Friday June 10th photo-eye Gallery was thrilled to open our newest exhibition Inherit the Dust by Nick Brandt. As we outlined in our series introduction, Brandt's latest body of work is a compelling and emotional call-to-action regarding conservation efforts to curb rampant urban sprawl and loss of natural habitat across Africa. Photographed in East Africa, Brandt erects oversized panels of his iconic animal portraits on location at quarries, garbage dumps, and urban developments, effectively transforming the animals to mere ghosts in the landscape. Gallery Associate Lucas Shaffer spoke with Brandt to find out more about the artist's activism, his desired outcomes for the project, and what it took to realize his vision. Inherit the Dust is on view at photo-eye Gallery through July 23rd, 2016.


Book of the Week Book of the Week: A Pick by Sarah Bradley Sarah Bradley selects On A Good Day by Al Vandenberg as Book of the Week.
On A Good DayBy Al VandenbergStanley/Barker, 2016.
Sarah Bradley selects On A Good Day by Al Vandenberg from Stanley/Barker as Book of the Week.

Book Review End. By Eammon Doyle Reviewed by Colin Pantall Watch Hitchcock’s Vertigo and you quickly understand Saul Bass’s belief that it’s important that the film starts with the titles, that they have a message that goes beyond the merely functional or decorative.
End.  By Eammon Doyle. D1, 2016.
 
End.
Reviewed by Colin Pantall

End. 
Photographs by Eamonn Doyle
D1, Dublin, Ireland, 2016. In English. 140pp pp., 293 illustrations, 19¾x28".


Watch Hitchcock’s Vertigo and you quickly understand Saul Bass’s belief that it’s important that the film starts with the titles, that they have a message that goes beyond the merely functional or decorative.

It’s the same with photobooks. In a good photobook, the book should start with the title. And everything that is in that book, the text, the images, the cover, the end pages, should serve the message of the book as a whole. That doesn’t often happen, but in an ideal world, in an ideal book, it should.

Newsletters In Stock at photo-eye + Pre-Order: Michael Wolf In stock titles by Michael Wolf, plus a pre-order for the latest in his Hong Kong series.
PRE-ORDER



Hong Kong Rubber Boots and Shoes
Photographs by Michael Wolf

Whether hung up to dry, propped between pipes and walls, neatly arranged in rows, tucked into nooks, or upside-down on poles, this mundane and often grubby type of work footwear also comes in all kinds of colours and sizes. As if patiently awaiting the next opportunity to perform their function, when their user pulls them on again and goes about cleaning fish, cooking food, or sweeping gutters, the boots express unspoken urban narratives of their own.

photo-eye is taking pre-orders for SIGNED copies of Hong Kong Rubber Boots and Shoes. If our supplier runs out, orders will be fulfilled in the order in which they are received. The cutoff time for ordering is Tuesday, June 21st at noon MDT.

Purchase SIGNED copies of Hong Kong Rubber Boots And Shoes or read more

Book of the Week Book of the Week: A Pick by Forrest Soper Forrest Soper selects Libyan Sugar by Michael Christopher Brown as Book of the Week.
Libyan SugarBy Michael Christopher Brown
Twin Palms Publishers, 2016.
Forrest Soper selects Libyan Sugar by Michael Christopher Brown from Twin Palms Publishers.

"In Libyan Sugar, Michael Christopher Brown has created a body of work unlike anything I have ever seen before. Shot almost exclusively on a mobile phone, the images in this book document the Libyan Revolution in 2011 and the photographer’s experiences in two separate trips to the country. Alongside the imagery, text, predominantly in the form of electronic messages from the photographer’s family, friends, and colleagues, provides insight into the life and mind of Michael Christopher Brown. The result transforms this book from a mere document of a time and place into an incredibly personal journey as a photographer experiences a war zone.

Interview Deanna Templeton on The Swimming Pool photo-eye Bookstore Manager Christopher J Johnson speaks to Deanna Templeton about her new book The Swimming Pool.

The Swimming PoolBy Deanna TempletonUm Yeah Arts, 2016.
 
Deanna and Ed Templeton do nearly everything together, often photographing in the same locations, though photographically their voices are unique. Deanna Templeton’s voice has perhaps never been clearer than in her most recent monograph from Um Yeah Press titled The Swimming Pool. Made over the course of 8 years simultaneously with projects like Scratch My Name on Your Arm, Templeton captures the beauty of bodies. Featuring both men and women, shot in color and black and white and on a variety of film stocks, Templeton approached the subject from a true place of exploration, creating an environment around her backyard pool conducive to experimentation. As a result, her subjects notably exude confidence and a sense of freedom as they glide below the shimmering surface of the water, allowing Templeton to considering the expression of the human form and the particular qualities of water for reflection and distortion.

The results are stunning. photo-eye Bookstore Manager Christopher J Johnson describes the book as a “quiet meditation similar to the act of swimming” and being alone underwater. Christopher J Johnson talked to Templeton about making The Swimming Pool, her current projects and the benefits of taking your time with your art.

Book Review Mississippi History By Maude Schuyler Clay Reviewed by George Slade When I first saw this book, some months ago, it stuck a barb in my mind; I’m still trying to work out that little pricker. Life is like that, though. Certain things attach and won’t let go.

Mississippi HistoryBy Maude Schuyler ClaySteidl, 2015.
 
Mississippi History
Reviewed by George Slade

Mississippi History
Photographs by Maude Schuyler Clay. Foreword by Richard Ford.
Steidl, Gottingen, Germany, 2015. 240 pp., 110 illustrations, 9¾x14½".


When I first saw this book, some months ago, it stuck a barb in my mind; I’m still trying to work out that little pricker. Life is like that, though. Certain things attach and won’t let go.

photo-eye Gallery Introducing: Nick Brandt's Inherit the Dust Nick Brandt has been making images in East Africa for more than 15 years. In that time the British-born, California-based artist has become a conservation activist for the continent, seeking to bring awareness of the massive changes caused by accelerated urban expansion and industrialization.His latest series, Inherit the Dust, is the artist's most dynamic, emotional, and important work to date.

Quarry with Lion, 2014 – © Nick Brandt

Nick Brandt has been making images in East Africa for more than 15 years. In that time the British-born, California-based artist has become a conservation activist for the continent, seeking to bring awareness of the massive changes caused by accelerated urban expansion and industrialization. His latest series, Inherit the Dust, is the artist's most dynamic, emotional, and important work to date. photo-eye Gallery is proud to feature this work in an exhibition opening Friday June 10th and continuing through July 23rd, 2016.

Book of the Week Book of the Week: A Pick by Christian Michael Filardo Christian Michael Filardo selects Matatabi by Koji Onaka as Book of the Week.
MatatabiBy Koji OnakaSuper Labo, 2012.
This week's Book of the Week pick comes from Christian Michael Filardo who has selected Matatabi by Koji Onaka from Super Labo.

"In Koji Onaka’s Matatabi, the viewer is bathed in a photographic silence unlike any other. Onaka has somehow managed to isolate himself through transience and illustrates this ghostly feeling through his camera. Figures are frozen in the distance, vehicles sit empty in the glow of the sun, and buildings feel like relics untouched by time.

When I look at Onaka’s photographs I can’t tell if he is leaving or staying, but I can tell that his photographs are uniquely his own. Onaka is comfortable being alone and knows how to step back and take the right photograph. The distance Onaka allows between camera and subject provide the viewer with a cinematic look into life in rural Japan.

One could easily confuse this work as bleak, sad, and empty. However, that would be a mistake. To me Onaka’s work in Matatabi is patient, quiet, and thoughtful. His use of color and composition creates a feeling of stability; comfortable silence as embodied by wooden houses on a hillside, yellowed grass at sunset, and the shadows of electric lines at midday. Rather than wallow in nostalgia, Matatabi serves as a guide to those seeking to learn the value of waiting. It’s the type of book one can look at over and over again, the type of book where each individual image has a story to tell, the type of book that reminds us that life isn’t a sprint but a marathon."—Christian Michael Filardo

Purchase Book

MatatabiBy Koji OnakaSuper Labo, 2012.
MatatabiBy Koji OnakaSuper Labo, 2012.

Christian Michael Filardo is a photographer and composer living and working in Santa Fe, NM. Filardo has worked for VICE Magazine, Believer Magazine, the Phoenix New Times, and is the shipping manager at photo-eye Bookstore. He is a recent recipient of an honorarium in new music from Oberlin College’s Modern Music Guild. Filardo’s first book, Say My Last Name Softly, a collaboration with Marie Claire Bryant, was released in April 2016 on Holy Page Records.


See more Book of the Week picks

Book Review Unassisted Readymade By John Stezaker Reviewed by Adam Bell Sometimes all it takes is one cut. Here or there. Other times, the most radical gesture is simply moving something from one place to another, a shift in context. For over forty-years, Stezaker has mined cinema’s golden era for strange and forgotten images, cutting and reworking them to unlock their powers.
Unassisted ReadymadeBy John Stezaker.
 JRP | Ringier, 2016.
 
Unassisted Readymade
Reviewed by Adam Bell

Unassisted Readymade
Photographs by John Stezaker. Text by David Campany. Edited by Jürg Trösch, Lionel Bovier, and Markus Bosshard.
JRP | Ringier, Zürich, Switzerland, 2016. 132 pp., 79 color illustrations, 9½x13½".


Sometimes all it takes is one cut. Here or there. Other times, the most radical gesture is simply moving something from one place to another, a shift in context. For over forty-years, Stezaker has mined cinema’s golden era for strange and forgotten images, cutting and reworking them to unlock their powers. Departing from the more aggressively cut or collaged images of his best-known work, the appropriated images found in John Stezaker’s Unassisted Readymade are no less disorienting or uncanny in their straight-forward presentation. Brought forth from the shadows, the displaced, cut, stained, and rotated images in Unassisted Readymade have been given new life. With each cut and intervention, Stezaker has opened up a space and allowed us to step in, making something new or revealing what’s always been there.

Nudes/Human Form Newsletter Nudes/Human Form Newsletter Vol. 23 Volume 23 of photo-eye's Nudes/Human Form Newsletter featuring titles from Jan Saudek, Tokyo Rumando, Sanne Sannes and Halil.
PRE-ORDER DEADLINE


Saudek
Photographs by Jan Saudek

Jan Saudek is the most famous living Czech photographer, and simultaneously the most provocative. He is worshipped and condemned, celebrated and rejected, honoured and execrated. He absorbs a viewer with a combination of tenderness and violence, traditionalism and extravagance, lyricism and irony, romance and obscenity.

photo-eye Bookstore + Project Space Opening Friday June 2nd – Magda Biernat: ADRIFT photo-eye Bookstore Project Space presents Magda Biernat’s Adrift. Recipient of CENTER’s 2016 Director’s Choice award, this body of work is a personal commentary on the parallel effects of global climate change at opposite ends of the Earth.



Magda Biernat: ADRIFT
Artist Reception and Book Signing
June 3rd 5-7pm

photo-eye Bookstore + Project Space
376-A Garcia St, Santa Fe, NM 87501
Exhibition continues through September 3rd

photo-eye Bookstore Project Space presents Magda Biernat’s Adrift. Recipient of CENTER’s 2016 Director’s Choice award, this body of work is a personal commentary on the parallel effects of global climate change at opposite ends of the Earth.

Adrift is a series that uses visual language as a means of polar comparison. Biernat pairs photographs of Antarctic icebergs and empty Iñupiat Eskimo hunting huts, whose shapes and volumes echo one another. The juror Louise Clements, Artistic Director of QUAD & FORMAT festivals writes "Magda Biernat's award winning series Adrift is concerned with the changes in the Polar ice, focused on the Arctic and Antarctic. In both of these environments the culture, land, architecture and geography is changing rapidly. By combining stunning images that study icebergs and Eskimo hunting structures she draws our attention to the effects of climate change and its impact on cultural identity.”


Biernat will be in attendance at the opening reception signing copies of her beautiful book of this series Adrift.

For more information on Biernat's work and to purchase prints, please contact Christopher J Johnson, Book Division Manager, at 505.988.5152 x113 or info@photoeye.com.

View the 2016 Director's Choice Award Page
Order the book Adrift

photo-eye Gallery Opening Friday June 10th – Nick Brandt: Inherit the Dust photo-eye Gallery is excited to announce Inherit the Dust, an exhibition of black-and-white panoramic photographs by Nick Brandt opening Friday June 10th and continuing through July 23rd, 2016.

Wasteland with Elephant, 2015 – © Nick Brandt

INHERIT THE DUST
Photographs by Nick Brandt

Opening June 10th, 5–7 PM

photo-eye Gallery
541 S. Guadalupe St, Santa Fe, NM 87501
Exhibition continues through July 23rd, 2016

ABOUT THE EXHIBITION
photo-eye Gallery is excited to announce Inherit the Dust, an exhibition of black-and-white panoramic photographs by Nick Brandt opening Friday June 10th and continuing through July 23rd, 2016.

Alleyway with Chimpanzee, 2014 – © Nick Brandt

ABOUT THE ARTIST
Born and raised in England, Nick Brandt has worked exclusively in East Africa since 2001. Brandt’s trilogy, On This Earth, A Shadow Falls, Across the Ravaged Land, eulogized the continent’s disappearing landscape and wildlife in stirring, monumental animal portraits. Each portion of the trilogy has been published as a best-selling monograph. Brandt’s work has been exhibited widely internationally, including Salo Art Museum, Finland; Preus National Museum of Photography, Oslo, Norway; Maier Museum of Art, Lynchburg, Virginia, and Hangaram Art Museum, Seoul, South Korea. In 2011, Fotografiska Museum, Stockholm, Sweden, hosted the artist’s first major solo museum exhibition. Nick Brandt currently lives and works in the mountains of Southern California.

ABOUT THE ARTWORK
Three years after the conclusion of his trilogy On This Earth, A Shadow Falls, Across the Ravaged Land, Nick Brandt returns to East Africa to photograph the escalating changes to the continent’s environment. In a series of epic panoramas, Brandt records the impact of man in places where animals used to roam, but no longer do. Brandt erects a life-size panel of one of his animal portrait photographs on location, setting them in landscapes of explosive urban development, factories, wastelands and quarries. Human life and work continue within the frame with the people oblivious to the presence of the panels and the animals featured in them, creatures who are now no more than ghosts in these areas. The interactions between the animals depicted on the panels and the scenes that surround them are striking; some animals appear to be suffering through this new reality alongside the humans, while others appear to survey the destroyed landscapes in lament of the land they once inhabited. By the end, we see that animals are not the sole victims in this out of control world.

Quarry with Lion, 2014 – © Nick Brandt

PRAISE FOR INHERIT THE DUST
“The wasted lands in Inherit the Dust were once golden savannah, sprinkled with acacia trees, where elephants, big cats and rhinos roamed. These now dystopian landscapes – as Nick Brandt’s unvarnished, harrowing but stunning work reveals  brings us face to face with a crisis, both social and environmental, demanding the renewal of humanity itself.”
— Kathryn Bigelow, Film Director, The Hurt Locker


"In Inherit the Dust… Nick Brandt’s astonishing panoramas are a jolting combination of beauty, decay, and admonishment. The result is an eloquent and complex 'J’accuse,' for the people are as victimized by 'development' as the animals are.

The breadth, detail, and incongruity of Brandt’s panoramas suggest a collision between Bruegel and an apocalypse in waiting."
— Vicki Goldberg, Art Critic, Author



View Inherit the Dust 

For additional information, and to purchase prints, please contact Gallery Director Anne Kelly at 505.988.5152 x 121 or anne@photoeye.com.


Book of the Week Book of the Week: A Pick by Christopher J Johnson Christopher J Johnson selects Wolfsburg Diary by Peter Bialobrzeski as Book of the Week.
Wolfsburg DiaryBy Peter Bialobrzeski
The Velvet Cell, 2016.
This week’s Book of the Week pick comes from Christopher J Johnson who has selected Wolfsburg Diary by Peter Bialobrzeski from The Velvet Cell.

Book Review Kitchen Table Series By Carrie Mae Weems Reviewed by Sarah Bay Gachot Kitchen Table Series, a set of 20 platinum-print photographs and 14 screen-printed texts by Carrie Mae Weems, was completed in 1990 and has been exhibited in museums and other institutions in a number of permutations and layouts since then. Now, it is a book.
Kitchen Table Series. By Carrie Mae Weems. 
Damiani/Matsumoto Editions, 2016.
Kitchen Table Series
Reviewed by Sarah Bay Gachot

Kitchen Table Series
Photographs by Carrie Mae Weems. Text by Adrienne Edwards and Sarah Lewis.
Damiani/Matsumoto Editions, Bologna, Italy, 2016. 86 pp., 34 black-and-white illustrations, 9¾x13½".


Kitchen Table Series, a set of 20 platinum-print photographs and 14 screen-printed texts by Carrie Mae Weems, was completed in 1990 and has been exhibited in museums and other institutions in a number of permutations and layouts since then. Now, it is a book. When something like this is published — the bound version of a vivid photo/text project made 30 years ago — it feels like finally having full access to a great film previously consumed with fervor in bits and pieces from television sets in random hotel rooms. And this would be the Criterion edition at that; a gorgeous presentation.

Newsletters In Stock at photo-eye: Moriyama Eight titles by Diado Moriyama, all in stock at photo-eye Bookstore.
All titles listed below are in stock at photo-eye Bookstore at the time of the publication of this newsletter

NEW ARRIVALS



In Color
Photographs by Daido Moriyama

The most recent project by Daido Moriyama. Considered one of the great masters of contemporary Japanese photography, Daido Moriyama is always on the road, a lone traveler whose images recount visions and worlds hidden just beneath the surface of reality.

In Color features 259 full-bleed images in an oversize volume measuring 6"x8¼"x¾".

Purchase In Color or read more


Book Review Got to Go By Rosalind Fox Soloman Reviewed by Blake Andrews Rosalind Fox Solomon's Got To Go is not a happy book. It's humorous, yes. But happy? No. In fact most readers may find it depressing. And — trigger warning alert — if you suffered from domineering parents or a browbeaten childhood, it will perhaps be even more unsettling. On the positive side, such readers may find catharsis amidst the tragicomedy. I suspect Solomon has.

Got to Go. By Rosalind Fox SolomonMack, 2016.
 
Got to Go
Reviewed by Blake Andrews

Got to Go
Photographs by Rosalind Fox Solomon
Mack, London, England, 2016. 144 pp., 79 black-and-white illustrations, 8x9¾".


Rosalind Fox Solomon's Got To Go is not a happy book. It's humorous, yes. But happy? No. In fact most readers may find it depressing. And — trigger warning alert — if you suffered from domineering parents or a browbeaten childhood, it will perhaps be even more unsettling. On the positive side, such readers may find catharsis amidst the tragicomedy. I suspect Solomon has.

Book of the Week Book of the Week: A Pick by Sarah Bradley Sarah Bradley selects Tundra Kids by Ikuru Kuwajima as Book of the Week.
Tundra KidsBy Ikuru KuwajimaSchlebrugge Editor, 2016.
This week’s Book of the Week pick comes from Sarah Bradley who has selected Tundra Kids by Ikuru Kuwajima from Schlebrugge Editor.

Book Review Border Cantos By Richard Misrach and Guillermo Galindo Reviewed by Karen Jenkins Richard Misrach and Guillermo Galindo first crossed paths in 2012 at the line between the United States and Mexico, as ramped-up border politics continued to exact a heavy toll in lives and the landscape, and the wall between there and here, them and us, felt more mute and impenetrable than ever.
Border CantosBy Richard Misrach and Guillermo GalindoAperture, 2016.
 
Border Cantos
Reviewed by Karen Jenkins

Border Cantos
By Richard Misrach and Guillermo Galindo.
Aperture, New York, USA, 2016. 274 pp., 257 color illustrations, 13¼x10½".


Richard Misrach and Guillermo Galindo first crossed paths in 2012 at the line between the United States and Mexico, as ramped-up border politics continued to exact a heavy toll in lives and the landscape, and the wall between there and here, them and us, felt more mute and impenetrable than ever. Border Cantos is the culmination of their subsequent artistic collaboration, building on Misrach’s photographic exploration of the American West and expanding Galindo’s work as a composer and performer. Galindo created musical instruments from objects left behind by migrants, and later gathered by Misrach. He also created musical scores using the photographer’s images of the vast border region as raw material and points of departure. Visual languages play off of sound and music in this multi-media project and texts are presented in English and Spanish, running parallel down opposite sides of each page. Separately and together, Misrach and Galindo’s work deftly reckons with both the powerful physicality of the wall and the artifacts that surround it, as well as the numerous conceptual ways into and through its politics, economics, ideologies and aesthetics.


photo-eye Newsletters Japanese Photobooks Newsletter Vol. 5 Volume 5 of photo-eye's Japanese Photobooks Newsletter featuring titles from Motoyuki Daifu, Kenta Cobayashi, Tokyo Rumando, Diane Dufour & Matthew S. Witkovsky and Shoko Hashimoto.
PRE-ORDER DEADLINES

The following two titles are published by Newfave Books who produce popular and hard to find books by emerging Japanese photographers like Daisuke Yokota and Hiroshi Takizawa. Supplies of these new titles are very limited.
_____________________



Still Life
Photographs by Motoyuki Daifu

Signed copies available to order!

Still Life, is an extension of Motoyuki Daifu's work in Project Family. In this installment, the family home is a dramatic stage, and the dinner table is Daifu's muse: a hectic disarray of mom's cooking, groceries, vivid product packaging, and the spectrum of anonymous objects forgotten in the course of quotidian life. This discordant ensemble is the physical embodiment of daily familial dissonance, illuminated in sharp relief with flash, shot from above.

photo-eye is taking pre-orders for copies of Still Life. If our supplier runs out, orders will be fulfilled in the order in which they are received. The cutoff time for ordering in our shipment is Tuesday, May 24th at 12:00 PM MDT.

Pre-order signed copies of Still Life or read more


Book Review Provoke: Between Protest and Performance Edited by Diane Dufour and Matthew S. Witkovsky Reviewed by Adam Bell Despite covering a period roughly fifty-years ago, Provoke: Between Protest and Performance, took years of groundwork before it was possible in the West. Simply put, Japanese photography is finally getting the recognition and scholarly treatment it deserves after years of relative neglect by the West.
Provoke: Between Protest and Performance.
Edited by Diane Dufour and Matthew S. Witkovsky. 
Designed by Pierre Hourquet. Steidl, 2016.
 
Provoke: Between Protest and Performance
Reviewed by Adam Bell

Provoke: Between Protest and Performance
Edited by Diane Dufour and Matthew S. Witkovsky. Designed by Pierre Hourquet.
Steidl, Göttingen, Germany, 2016. 720 pp., 600 black-and-white illustrations, 7½x9¾".

Despite covering a period roughly fifty-years ago, Provoke: Between Protest and Performance, took years of groundwork before it was possible in the West. Simply put, Japanese photography is finally getting the recognition and scholarly treatment it deserves after years of relative neglect by the West. To give some context, as recently as 2002, I was one of five people, including the artist and gallerist, at Daidō Moriyama’s book signing and opening for ’71 – NY at Andrew Roth Gallery in New York City. Flash-forward to 2011, Moriyama restaged a 1974 book-making event at Aperture in New York City and hundreds waited to get a customizable, limited-edition book from the acclaimed photographer. Although merely one figure in Japanese photography’s long-tradition, Moriyama’s lack of recognition and subsequent acclaim follows a pattern that is fortunately being addressed. In other words, we’re finally catching up. Since the early 2000s, multiple English language books and exhibitions have addressed the history of Japanese photography, and in particular the fertile period of the 60s and 70s in Japan, including The History of Japanese Photography, Setting Sun: Writings by Japanese Photographers, Japanese Photobooks from the 1960s and 70s, and most recently For a New World to Come: Experiments in Japanese Art and Photography, 1968-1974. This renewed interest might also be seen as running in tandem with the renewed appreciation of the photobook and its centrality in the dissemination of Japanese photography since the 60s. Provoke: Between Protest and Performance is an astonishing achievement and will be the benchmark for all subsequent treatments of this era for years to come. Combining scholarly essays, historic and contemporary interviews, translated texts from historical publications, and lush reproductions of rare publications, the book offers incredible insight and access into this important period of the medium.

Interview Cig Harvey on making images for Gardening at Night We were delighted to host photographer Cig Harvey at the opening reception of her exhibition Gardening at Night, currently running through June 4th at photo-eye Gallery. After meeting the artist behind the marvelously colorful and spellbinding images, we were captivated.
Cig Harvey's Gardening at Night photo-eye Gallery

We were delighted to host photographer Cig Harvey at the opening reception of her exhibition Gardening at Night, currently running through June 4th at photo-eye Gallery. After meeting the artist behind the marvelously colorful and spellbinding images, we were captivated, not only by Harvey's fabulous style and charming personality but by her unwavering devotion to storytelling and photograph-making. Harvey believes photography is the “most powerful medium in the world,” a belief that is evident in the remarkable fascination her pictures evoke.

Also central to Harvey's practice is the personal journey of making her photographs, which she beautifully discussed in a lecture for the School of Visual Arts. “Writing, journaling, mind mapping, …to make visual what's inside of us,” are all steps of her process and teaching methods, with the goal of "making pictures about things rather than of things." photo-eye’s Savannah Sakry asked Harvey to expand on a few points she made in the lecture, and for more insight into the photographs currently on view in the Gardening at Night exhibition at photo-eye Gallery.