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Showing posts with label JP Terlizzi. Show all posts
Showing posts with label JP Terlizzi. Show all posts
photo-eye Gallery New From JP Terlizzi: Holding Arabesque Delaney Hoffman
photo-eye Gallery is excited to announce the inclusion of a new portfolio from JP Terlizzi, entitled Holding Arabesque as a part of Photographer's Showcase.
JP Terlizzi, Sweet Talk, 2020, Archival pigment print, 21″ x 14″, Edition of 10, $1500

It is difficult for me to articulate the joy that I feel every year when I’m presented with a plate of my grandmother’s signature rice dressing, filled with parsley and turkey gizzards galore, or how giddy I get when I'm granted the privilege of organizing the Christmas cookies to be left out for the holiday party, a task that my creative hands have loved since I was little. The holiday season, undoubtedly, revolves around cooking for others and ourselves, and the elation that seems to go hand-in-hand with traditions that center food is something that Photographers Showcase Artist JP Terlizzi is more than familiar with. 

In The Good Dishes, the body of work initially showcased on photo-eye's website, Terlizzi keeps his eye steadfast on the tableware that signals that a meal is special. In the new series of photographs, Holding Arabesque, he continues to prioritize the nostalgic object as the activating point of the work, with ornate gravy boats, melamine dishes and silver filigree galore. However, unlike the subjects of the images that introduced him to us with The Good Dishes, the food that Terlizzi uses as a tool for reflection upon community ties is truly unbound from the shackles of the kitchenware that attempts to hold it.

JP Terlizzi, Beat It, 2020, Archival pigment print, 21″ x 14″, Edition of 10, $1500

The still lives that are presented in Holding Arabesque are a delightful collision of formal and playful. In Beat It, oblong, unwieldy eggs balance on top of an old-fashioned beater in a precarious tower, with one already lost to the tablecloth below. The gentle, sloping lines of the egg beater and the bright yellow of the single exposed yolk guide the viewer’s eyes up the impossible tower of eggs. The strength of this image lies in its ability to harness the power of novelty and poetry simultaneously; though the subject itself may be silly or commonplace, the attention to composition that has been paid by Terlizzi elevates this image. It is no longer speaking about just the nostalgic tool in question or the comfort food of eggs in Western culture, but it is also speaking to the difficult (and, if we’re being honest, often comical) nature of “balance” in contemporary life.


View more images from Holding Arabesque and learn more about JP Terlizzi below!


JP Terlizzi, Golden Berry, 2020, Archival pigment print, 21″ x 14″, Edition of 10, $1500

JP Terlizzi, Mouse Trap, 2021, Archival pigment print, 21″ x 14″, Edition of 10, $1500

JP Terlizzi, Above the Curve, 2020, Archival pigment print, 21″ x 14″, Edition of 10, $1500


>> View the entire Holding Arabesque portfolio! << 


>> photo-eye Conversation with Anne Kelly and JP Terlizzi <<


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Print costs are current up to the time of posting and are subject to change.

JP Terlizzi is a Photographer's Showcase Artist through photo-eye Gallery.

For more information, and to purchase prints by JP Terlizzi please contact Gallery Director Anne Kelly or Gallery Assistant Delaney Hoffman, or you may also call us at 505-988-5152 x202


photo-eye Gallery Looking Inward: 2020 Highlights photo-eye Gallery
For artists, the act of looking inward is nothing new. It constitutes a significant part of the creative process. Yet, these unprecedented times have made this exercise all the more pertinent for them.

Laurie Tümer, Homebound, June 6th 2018/21, 7:21 pm, archival pigment print, 6 x 12 inches, edition of 15, $800

"Years ago, I began the practice of photographing what I see, mostly framed through a window – New Mexico’s high desert, and the gardens and buildings I designed to photograph. Weirdly, being homebound these past 10 years due to progressing Multiple Sclerosis somewhat prepared me for this pandemic. What has made this endurable is the place I live, a generous subject, and being no stranger to isolation. These images always seemed to need the suggestion of a framed opening, where I pause before these spectacles of heaven and earth that provide respite from the catastrophic losses in the world and in my own life. After years of experimentation, constructing the elliptical arch this year satisfied my need for a frame, I began the series "Homebound", and art's survival value has become even clearer." Laurie Tümer

There is something unexpectedly positive that has been generated by this pandemic: the call to look inward and contemplate our place as individuals on a shared planet.

For artists, the act of looking inward is nothing new. It constitutes a significant part of the creative process. Yet, these unprecedented times have made this exercise all the more pertinent for them.

Over the past year, art has given hope, imagination, and the feeling of companionship to many. This goes beyond entertaining those self-isolating at home with books, music, and Netflix. Art has been a platform for voicing emotional and critical responses to the current state of our world.

This week, photo-eye Gallery shares work created by some of the artists who have been actively engaged during this time. Take a look at the images below, and please reach out to us if you would like further information. Enjoy!

 Tom Chambers

Tom Chambers, Suspended Animation, 2020, archival pigment ink print, 20 x 20 inches, edition of 20, $1200
 
 

Julie Blackmon

Julie Blackmon, River, 2020, archival pigment print, edition of 10, $4000
 

James Pitts

James Pitts, Tulip in Small Indian Pot, 2020, archival pigment ink print, edition of 10, $1200
 
 

JP Terlizzi

JP Terlizzi, Marchesa Camellia and Rhubarb, 2020, archival pigment ink, 21 x 14 inches, edition of 10, $1200

 
 

Edward Bateman

Edward Bateman, Yosemite Gateway No. 2 (with 3D printed landscape), archival pigment ink print, 10 x 15 inches, edition of 8, $950
Yosemite: Seeking Sublime - Online Exhibition


 Michael Kenna

Michael Kenna, Four Hundred and Seventy Five Birds, San Francisco, USA, 1992, toned gelatin-silver print, 6 x 9 inches, $3000
 Michael Kenna: Il Fiume Po (The River Po) - Online Exhibition
» View More Work by Michael Kenna
 
*Four Hundred and Seventy Five Birds was made in 1992, but was printed as a result of Kenna revisiting his archive of negatives in 2020, when travel wasn't possible.



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All prices listed were current at the time this post was published.


For more information, and to purchase prints, please contact Gallery Director Anne Kelly or Gallery Assistant Patricia Martin, or you may also call us at 505-988-5152 x202


photo-eye Gallery From the Flat-Files: Still Lifes photo-eye Gallery
Flowers, both fresh and dying, fruits and vegetables, burning candles, skulls, books, insects, jewelry, scientific tools, mirrors, bottles, glasses, vases — objects often found in still life photographs. Such objects were also the representative, prominent characteristic of the paintings created by the Dutch and Flemish painters of the 17th century.
Jo Whaley, Analytical Behavior, 1994, archival pigment print, 15.75 x 14 inches, edition of 25, $1800

Flowers, both fresh and dying, fruits and vegetables, burning candles, skulls, books, insects, jewelry, scientific tools, mirrors, bottles, glasses, vases — objects often found in still life photographs. Such objects were also the representative, prominent characteristic of the paintings created by the Dutch and Flemish painters of the 17th century. 

The Golden Age of the Old Masters continues to offer limitless inspiration for contemporary artists. Their artworks remind viewers of the brevity of human life, youthfulness, wealth, power, as well as the triviality of all material things. Through this distinct kind of narrative, these works warn about the irrelevance of all the alluring, earthly pleasures, and provide us with a unique aesthetic that many contemporary still life photographers have embraced.

This week we are thrilled to explore this exciting genre by taking a look at our favorite still life photographs from our flat-files and sharing them on our blog. Take a look below!



Cig Harvey

Cig Harvey, Early Stardrift, archival pigment ink, 20 x 16 inches, edition of 10, $3000


Maggie Taylor

Maggie Taylor, The philosopher's study, 2020, archival pigment ink, 8 x 8 inches, edition of 15, $1500


Kate Breakey

Kate Breakey, Single Rose, Glass Round Bottle, hand colored pigment ink print, 2020, 16 x 16 inches, $1750 (framed)


JP Terlizzi

JP Terlizzi, Villeroy & Boch Artesano with Grapefruit, 2019, archival pigment print, 14 x 21 inches, edition of 10, $1200




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All prices listed were current at the time this post was published.
 
For more information, and to purchase prints, please contact Gallery Director Anne Kelly or Gallery Assistant Patricia Martin, or you may also call us at 505-988-5152 x202



photo-eye Gallery photo-eye Conversations: JP Terlizzi photo-eye Gallery
photo-eye is excited to welcome JP Terlizzi to the Photographer's Showcase and feature his brilliant series The Good Dishes.


Wedgwood Hibiscus with Red Onion, 2019, archival pigment print, 14 x 21 inches, edition of 10, $1,200


photo-eye is excited to welcome JP Terlizzi to the Photographer's Showcase and feature his brilliant series The Good Dishes.

Terlizzi’s The Good Dishes is a feast for the eyes. The exquisitely constructed tablescapes — with specially designed background textiles, inherited china sets, and unconventional food combinations — invite us to examine the representation of food and our appetite for such images. Drawing inspiration from classic still-life painting and social conventions around the table, Terlizzi explores the relationship of memory, family, intimacy, and beauty through one of the most popular and ubiquitous photographic genres — food photography. Terlizzi’s alluring and dynamic photographs finally prove that it is fun to play with food.  


Villeroy & Boch Artesano with Grapefruit, 2019, archival pigment print, 14 x 21 inches, edition of 10, $1,200

Recently, as part of our video series photo-eye Conversations, photo-eye Gallery Director Anne Kelly interviewed Terlizzi. They discussed his photographic practice, the process of creating The Good Dishes among other bodies of work, and cherries! Watch this enlightening conversation below or on Vimeo.






Royal Albert Gratitude with Cherry, 2019, archival pigment print, 14 x 21 inches, edition of 10, $1,200


Artist Bio:

JP Terlizzi (American, b. 1962) is a New York City photographer whose contemporary practice explores themes of memory, relationship, and identity. Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME. His work has been exhibited widely in galleries and museums nationally including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include: Foto Relevance Gallery (Houston, TX), The Rhode Island Center for Photographic Arts, Cameraworks Gallery (Portland, OR) and Soho Photo Gallery (New York, NY).

 

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For more information, and to purchase prints, please contact Gallery Director Anne Kelly or Gallery Assistant Patricia Martin, or you may also call us at 505-988-5152 x202