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Julie Blackmon, Riverside, 2023, Archival Pigment Print, 26 x 33½", Edition of 10, $4,000 |
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Julie Blackmon, Soap Bubbles, 2023, Archival Pigment Print, 22`x29", Edition of 10, $4,000 |
"This piece was inspired by an 18th-century French painting by Jean Siméon Chardin of the same name. I had watched my own nieces and nephews making giant bubbles recently, and I guess just seeing something like this in this present day and age that goes back hundreds, if not thousands, of years is always intriguing to me. Just that connection to the past... as much as things have changed, there's still so much that remains the same in our daily lives. I think the idle time of children will always be compelling subject matter to artists."—Julie Blackmon
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Jean Siméon Chardin, Soap Bubble ca.1734 |
The National Art Gallery Acquisition
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Julie Blackmon, Flatboat, 2022 – The National Gallery of Art, Washington |
We are thrilled to extend our warmest congratulations to Julie Blackmon for the recent acquisition of Flatboat and Paddle Board by The National Art Gallery in Washington. It is a huge honor that recognizes her incredible talent and ability to capture the essence of everyday life in her art. Blackmon's unique style is captivating and relatable, and we're excited to see her work getting the recognition it deserves. We can't wait to see what she creates next and celebrate her future accomplishments.
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George Caleb Bingham, The Jolly Flatboatmen |
In Flatboat Blackmon has restaged [George Caleb] Bingham's iconic painting The Jolly Flatboatmen (1846) as a tableau of children and adolescents loafing on a raft. However, in Blackmon's present-day reimagining, the central white male figure of the painting becomes a young Black girl reveling in the joy of a summer's day.—National Art Gallery
Paddleboard pays homage to George Caleb Bingham's Fur Traders Descending the Missouri (1845) by replacing the two men with a heavily pregnant young woman and a small boy, thus centering women's labor. The cargo of the fur traders has been swapped with a tall stack of coolers. The child swimming in the background, with a shark fin strapped to their back, adds a menacing note, suggesting the struggle for survival despite the apparent tranquillity of the scene.—National Art Gallery
>> National Gallery of Art Acquisitions Page <<
>> See more images by Julie Blackmon <<
>> Learn more about Julie Blackmon <<
PRINT COSTS ARE CURRENT UP TO THE TIME OF POSTING AND ARE SUBJECT TO CHANGE.
photo-eye Gallery
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Julie Blackmon, Lindenlure, 2020, Archival pigment print, 22x29˝, Edition of 7, $6000 |
With the summer season encroaching, we here at photo-eye Gallery thought it was high time to feature a few of the Julie Blackmon images in our flat files to help you beat the heat.
As May turns into June, and the outside temperature steadily climbs, I become ever-increasingly grateful for things like movie theater air conditioning and drive-thru ice cream cones. In the moments when I can't access the sweet relief of cool sensations, I can still reliably turn to the pictures of Julie Blackmon to transport me somewhere else.
From family road trips to neighborhood pool parties, these pictures summon memories of sunscreen, simpler times and the singular joy that summertime brings.
Take a look at more of Julie's seasonal delights below!
All featured prints are in our inventory and available for viewing at photo-eye Gallery.
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Julie Blackmon, Loading Zone, 2009, Archival pigment print, 22x29″, Edition of 25, $3900 |
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Julie Blackmon, Laying Out, 2015, Archival pigment print, 22x29″, Edition of 10, $4000 |
• • • • •
In celebration of the solstice holidays and all of the joy that they bring, we've brought you a curated selection of prints and images featuring the most beautiful wintertime landscapes that we could find. Happy holidays from the photo-eye Family, and enjoy these fabulous selections!
Michael Kenna, Snow Parfait Tree, Wakoto, Hokkaido, Japan, Gelatin-silver print, 8x8″ image in 16x20″ mat, $3000 |
Julie Blackmon, Snow Days, 2021, Archival pigment print, 22 x 29″, Edition of 10, $4000 |
>> Julie Blackmon on her image-making process <<
Michael Lange, Berg #F018, Archival pigment print, 37.5 x 28″, Edition of 5, Price upon request |
>> Learn more about Michael Lange's BERG series! <<
Tom Chambers, As the Crow Flies, Archival pigment print, 20 x 20″ image in 28 x 28″mat, Edition of 20, $1200 |
>> More on Animal Visions from Tom Chambers <<
Edward Bateman, Half Dome in Winter No. 3, Archival pigment print, 20 x 20″, Edition of 6, $1200 |
>> View more from Edward Bateman's online show Yosemite: Seeking Sublime <<
Cig Harvey, Scout in the Blizzard, 2017, Chromogenic print, 14 x 14″, Edition of 10, $3500 |
>> Listen to Cig Harvey's photo-eye Conversation with Gallery Director Anne Kelly! <<
For more information, and to purchase prints or books by any artists listed above, please contact Gallery Director Anne Kelly or Gallery Assistant Delaney Hoffman, or you may also call us at 505-988-5152 x202
photo-eye Gallery presents a selection of work from our flat files that addresses the passage of time and seasonal change.
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Vanessa Marsh, Untitled #41, 2018, Lumen print, 20" x 16," Unique, $2100 |
Ah, yes! Here we are again, at the brink of the seasonal transition between a blistering summer and a blustery fall, one that seems to grow longer and longer with each passing year. Despite this extended timeline, summer road trips are still giving way to cool fall nights while "back-to-school" commercials ring out over every FM radio station. This is a bittersweet time for some, but here in New Mexico, cool weather sounds like a welcome relief.
This week at photo-eye we’ve curated a selection of prints from our flat files that speak to the passing of time and how we observe it; through the appearance and disappearance of wildlife, through the human process of aging, and, of course, through beautiful Southwestern sunrises and sunsets.
We began with a layered lumen print from our Photographer's Showcase artist, Vanessa Marsh, and we continue below with Keith Carter’s Fishbowl. Enjoy!
Keith Carter
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Keith Carter, Fishbowl, Toned silver gelatin print, 15" x 15," Edition of 35, Inquire for price |
Edward Ranney
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Edward Ranney, Star Axis, NM 1/7/83 and Star Axis, NM, Looking North 1/6/83, Toned silver gelatin prints, 14" x 9," Not editioned, Price on request |
Julie Blackmon
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Julie Blackmon, Birthday Girl, 2005, Archival pigment print, 22" x 22," Edition of 25, $3100 |
Beth Moon
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Beth Moon, Odin's Cove #9, Platinum/palladium print, 11" x 14," AP/9, $5400 |
Steve Fitch
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Steve Fitch, Blue Swallow Motel, Hwy. 66, Tucumcari, New Mexico; July, 1990, Archival pigment print, 16" x 20," Edition of 12, $2000 |
It is with this final Steve Fitch photograph that we begin to say goodbye to summer. Fitch and the other artists represented in this list are utilizing symbols and markers of time to remind us that temporal change is not only inevitable, but also often beautiful. Let that reminder take us through September, with our swamp coolers and AC units set to "high."
photo-eye Gallery is pleased to introduce Night Swim, a new work by represented artist Julie Blackmon.
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Julie Blackmon, Night Swim, archival pigment ink print, 22" x 29," edition of 7, $4000 |
Inspired by art history, Blackmon’s photographs utilize classical compositions, which are then mixed playfully with carefully placed everyday items — evidence of contemporary culture. Blackmon’s photographs are often humorous while touching on personal and popular fictions.
To learn more about Julie Blackmon and view her work, click on the links below. And please contact us if you would like more information about the featured photograph.
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© Julie Blackmon |
32x42” - $6,500
40x53” - $9,000
505-988-5152 x202 or gallery@photoeye.com
What should you look for when collecting photography? Anne Kelly, our gallery director is here to advise. With her expertise in photography, Anne has a keen eye on what to look for.
Jo Whaley, Magnolia, 2016, archival pigment print, 2020, 14" x 24," edition of 25, $2000 |
"Every work of art has a story — who made it, how, when, and what it means — hanging it in your home makes its story a part of your own."
— Anne Kelly
Some people buy photographs as an investment, they hope for a profit once an artist becomes more established. Others collect photographs simply because they resonate with an image, and want to display and enjoy it. What should you look for when collecting photography? Anne Kelly, our gallery director is here to advise. With her expertise in photography, Anne has a keen eye on what to look for. Check out the links below for her top tips on collecting photography.
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Mitch Dobrowner, Mammatus, 2016, archival pigment print, 2020, 14" x 20," edition of 40, $1500 |
"Get familiar with the kind of work we offer by taking a look at the website and get a feeling for the kind of work you most respond to most — what affects you, what delights you, and what does the work generally cost."
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Julie Blackmon, Night Windows, 2016, archival pigment print, 2020, 22" x 29," edition of 25, $3100 |
"If your collecting budget is on the conservative side, take look at the Photographer's Showcase. The Showcase primarily features works by emerging artists, photographer's new or fairly new on the scene, and the prints tend to be more affordable."
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Bryant Austin, Solar Transit of Coastal Valley Oak - Carmel CA, 2016, archival pigment print, 2020, 22" x 15," edition of 10, $3400 |
"So much great work is being produced, it’s easy to get overwhelmed. Chose an aspect of the work you respond to that serves to unite and focus your collection."
James Pitts, Single White Tulip in Round Black Vase, archival pigment ink print, 19 x 15," edition of 10, $1200 "Because of our access, we can also find you sold out works, only available on the secondary market."
"Reach out. Build a relationship with Patricia or myself, and we can guide you through the process. ASK US ANYTHING – sometimes collecting can be jargon-heavy, and we can help make sense of it for you!"
Photography is a tool that allows us to express concepts and emotions in a purely visual way. The transmission of ideas and feelings becomes even more evident in narrative photography, whether the story conveyed by an image is real or fictional.
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Zoë Zimmerman, Her Dream IV, 2014, archival pigment print, 24 x 20 inches, edition of 24, $1500 |
Photography is a tool that allows us to express concepts and emotions in a purely visual way. The transmission of ideas and feelings becomes even more evident in narrative photography, whether the story conveyed by an image is real or fictional.
Tom Chambers
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Tom Chambers, Afternoon with Octavio / Una tarde con Octavio, archival pigment print, 20 x 20 inches, edition of 20, $1200 |
Julie Blackmon
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Julie Blackmon, Outing, 2019, archival pigment print, 26 x 41 inches, edition of 10, $4000 |
Mark Klett
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Mark Klett, Overnight, toned gelatin-silver print, 7 x 9 inches, edition of 20, $2500 |
Cig Harvey
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Cig Harvey, Emily in the River, archival pigment print, 20 x 16 inches, edition of 10, $3000 |
Jennifer Greenburg
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Richard Tuschman
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Richard Tuschman, Company at Dessert, archival pigment print, 14.5 x 21.5 inches, edition of 5, $2000 |
» View More Work by Richard Tuschman
For artists, the act of looking inward is nothing new. It constitutes a significant part of the creative process. Yet, these unprecedented times have made this exercise all the more pertinent for them.
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Laurie Tümer, Homebound, June 6th 2018/21, 7:21 pm, archival pigment print, 6 x 12 inches, edition of 15, $800 |
"Years ago, I began the practice of photographing what I see, mostly framed through a window – New Mexico’s high desert, and the gardens and buildings I designed to photograph. Weirdly, being homebound these past 10 years due to progressing Multiple Sclerosis somewhat prepared me for this pandemic. What has made this endurable is the place I live, a generous subject, and being no stranger to isolation. These images always seemed to need the suggestion of a framed opening, where I pause before these spectacles of heaven and earth that provide respite from the catastrophic losses in the world and in my own life. After years of experimentation, constructing the elliptical arch this year satisfied my need for a frame, I began the series "Homebound", and art's survival value has become even clearer." — Laurie Tümer
There is something unexpectedly positive that has been generated by this pandemic: the call to look inward and contemplate our place as individuals on a shared planet.
For artists, the act of looking inward is nothing new. It constitutes a significant part of the creative process. Yet, these unprecedented times have made this exercise all the more pertinent for them.
Over the past year, art has given hope, imagination, and the feeling of companionship to many. This goes beyond entertaining those self-isolating at home with books, music, and Netflix. Art has been a platform for voicing emotional and critical responses to the current state of our world.
This week, photo-eye Gallery shares work created by some of the artists who have been actively engaged during this time. Take a look at the images below, and please reach out to us if you would like further information. Enjoy!
Tom Chambers
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Tom Chambers, Suspended Animation, 2020, archival pigment ink print, 20 x 20 inches, edition of 20, $1200 |
Julie Blackmon
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Julie Blackmon, River, 2020, archival pigment print, edition of 10, $4000 |
James Pitts
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James Pitts, Tulip in Small Indian Pot, 2020, archival pigment ink print, edition of 10, $1200 |
JP Terlizzi
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JP Terlizzi, Marchesa Camellia and Rhubarb, 2020, archival pigment ink, 21 x 14 inches, edition of 10, $1200
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Mitch Dobrowner
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Mitch Dobrowner, Sunrise Over Lone Pine, 2020, archival pigment ink, 16 x 30 inches, edition of 25, $2500 |
Edward Bateman
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Edward Bateman, Yosemite Gateway No. 2 (with 3D printed landscape), archival pigment ink print, 10 x 15 inches, edition of 8, $950 |
Michael Kenna
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Michael Kenna, Four Hundred and Seventy Five Birds, San Francisco, USA, 1992, toned gelatin-silver print, 6 x 9 inches, $3000 |
» View More Work by Michael Kenna